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Ar. Nisha Matthew Ghosh employs a similar strategy in order to sculpt two distinct typologies by using a few standard features in order to extract the core of their distinctiveness… In the 4,000 square feet of space, there is a community health, research, and training center. Both the Bangalore Baptist Hospital (BBH) and Workzlab, a shared office space, are addressed in a unique manner, despite the fact that they share commonalities in their design and construction approaches. First and foremost, the hospital community center is opened up by glass barriers that provide transparency and visual connectedness. Additionally, white glass writing surfaces that are reflecting and refractive are used to optimize the amount of natural light that enters the co-working area. The contrast between the natural light and the well-articulated play of earthy tones is striking. The community space at BBH, which is a trapezoidal stepped transparent space, is purposefully encased in warm hues of dark tones and juxtaposed against the rest of the open spaces. These open spaces are reminiscent of a large light-washed verandah that is adorned with loose open-ended walls, which is a reference to the traditional social spaces that are characteristic of the bungalow typology in Bengaluru. Warmth and coolness, cosiness and openness, and subtle demarcations of distinct regions within the overall schematic may all be achieved via the use of color, which provides an excellent medium for achieving these balances. For example, the central community area is adorned with charcoal grey and deeper blues. The all-enclosing envelope is a simple white plaster that is reminiscent of chuna color. Additionally, a splattering of color that creates points of focus can be seen in sofa fabrics, pin-up boards, the coffee bar, and other similar areas. Along the same lines, Nisha creates a virtue out of the dingy hallway at Workzlab by treating it as the darker foreground and ‘brand background’ leading to a light-washed co-working space. By doing so, she makes the corridor a positive feature. By producing a collage of colors, ordinary things like the dull conventional swivel chairs that are seen in an office setting are given a distinct identity. This, in turn, becomes a place of visual ownership for the people who use the seats. In contrast to this, there is a selection of glass writing surfaces that contribute to the creation of a variety of translucencies. In addition, weaving pendants made of stainless steel provide warm pools of light in certain areas, which serve to distinguish each individual workstation in the designated common space. The two projects each have unique characteristics that provide an additional element of personality to them. In the BBH project, flexibility is delicately woven into the central core, which at times may also function as a seminar station while still maintaining its visual connection to the rest of the building. In a similar manner, cubicles are simply delimited by storage units and glass dividers in order to accommodate a greater variety of staff and functions. Anah’s handmade lights, which highlight the story of traditional communities as “makers,” are another striking component of the product. The most notable aspect of Workzlab is that it is able to accommodate twenty people who have individualistic social mindsets into a space that is only seven hundred forty square feet in size, while at the same time creating a shared hub of ideas through the use of ubiquitous glass surfaces that double as ideation boards. Taking everything into consideration, despite the fact that both initiatives serve to distinct roles and societal mindsets, the singularity in a similar manner brings out a fascinating tale. Take a look at the pictures on the website indiaartndesign.com. Institutional design, commercial interior design, interior architecture, workplace design, office design, hospital design, community design, and are some of the related articles.