Joseph Mallord William Turner, a British romantic landscape painter, prominent watercolor painter, and printer, was the subject of Frosty Morning, which he painted in the year 1813. Turner depicted his trip to Yorkshire on a particularly chilly winter day in this painting, which he used to express his own experience. On canvas, it was a form of oil painting that measured 1137 millimeters by 1746 millimeters. This particular picture was acquired by Tate Britain in the year 1856. The picture depicted a winter that Turner experienced on his own and was characterized by extreme cold. While he was there, Turner was traveling around Yorkshire. People were able to observe the oldest daughter of Turner, Evelina, who was clothed in blue, as well as his horse, which had an ear seal, from this perspective (towing the carriage). The chilly setting served as a cover for the whole cast of people, giving the impression that they were invisible. The guy who was standing next to Turner had his two legs crossed and was observing both Turner and his daughter. He was standing in close proximity to one another. The primary color that Turner employed in this painting was a kind of brownish yellow. As a result, the first encounter with humans would have the vibe of a wilderness. All of the elements, including the horse, the carriage, the human beings, and the natural surroundings, were shown in extreme detail. Despite the fact that Turner had a strong attachment to the horse oil painting, he never wanted to sell it. The picture has received positive reviews from critics who were active at the same time period as well as later on. A remark was made by the Spectator stating that this picture was an accurate representation of the natural world. Following the passing of Turner, the renowned painter Claude Monet made the following observation: “When he was painting, Turner was extremely meticulous in his behavior. This artwork is the result of his careful investigation of the subject.”
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