In the design of the planned Lucknow memorial gate, Archohm exhibits an ecological footprint by using a subtractive approach to the design process… Lucknow is a memorial gate that is positioned at the opposite node of the samta mulak chowk. It was designed to be a straightforward and modern interpretation of the famous roomi darwaza. Lucknow delicately mixes aspects that are distinctive of jain and early indo-Islamic architecture. Externally, the two crisscrossing arches are adorned with the ‘torana,’ which is a bud-like element that forms a garland. This element is characteristic of jain architecture and was one of the earliest elements to be adopted by Muslim monarchs in the process of creating the amalgamated indo-islamic works that emerged in India during the medieval period. A juxtaposition is made between the additive technique, which involves the projecting buds softening the stern profile of the arch, and the subtractive approach, which involves carving indentation buds into the same profile. This juxtaposition is meant to express the current identity. It is especially noticeable in the nighttime illumination as the reflection in the body of water gives the enormous gate a dreamlike character and gives it the appearance of a fourth dimension. The pillars are easily accessible and lead to a platform that provides breathtaking views of the vegetation that is located in the surrounding area. By utilizing the existing profile of the land, it was turned into an advantage by positioning a 6 meter wide and approximately 7.5 meter high elevated walkway that meanders along a distance of 1.76 kilometers and is both interactive and aesthetically endowing for the site. This was the primary ideology that stood behind the planning and design of the entire site. The goal was to avoid filling up the low-lying areas of the site and “asphyxiating” its ecology. In addition, the zigzag pattern that was produced results in the creation of “entrance-nodes” at frequently occurring crossings, which facilitates quick entry to the park. In addition, these nodes are able to incorporate enticing activities such as areas for relaxation, food kiosks, and informal settings for contact. As a result, the idea becomes economically useful and ecologically sustainable. Lastly, the odor that is normally associated with a “nullah” may be eliminated by the use of appropriate filtration, which is then activated by the development of plants or trees that are ideal for the purpose. Working together with the environment is always advantageous to both parties, and this project is a real illustration of how this is the case. Here is a link to the photographs that can be found on indiaartndesign.com:
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