In the early stages of Renoir’s participation in the Impressionist exhibition, The Box was one of the first paintings he sent to the show. Overall, he contributed seven paintings that were impressionist in style. It was the “impression” that he made at the theater as well as the model that he called into the studio that served as the inspiration this painting. Nini Lobisi, a model, played the role of the elegantly dressed woman seen at the front of the picture. It was a model of Renoir’s brother who played the role of the middle-aged gentleman in the background who was holding the telescope. The studio was also capable of producing Impressionism, which is an interesting fact. He was able to capture a portion of the ambiance that was there in the theater. It was particularly noticeable because the expressions of two characters in the picture did not exhibit any signs of posing; rather, they seemed to be completely engrossed in the opera and drunk in the moment of the stage performance. Despite the fact that the artwork was enclosed inside the frame, this chart only emphasized the picture of the woman that was contained within the box. The spectators were able to experience the ambiance of the crowd in the theater as a result of Renoir’s representation of color atmosphere. There was a striking contrast between the lady’s cosmetics face and the masculine guy who was standing behind her. Rose, black, and white were the hues that made up The Box’s color palette, which was made up of warm tones. Abnormal and striking were the black stripes that covered the body of the individual. The gentleman’s black suit and white shirt were a perfect match for these coarse, broad black stripes, and her white light was a perfect complement to them. Due to the fact that it was impossible for the light to reflect the genuine black, the use of black in impressionist paintings was considered to be unprofessional. There is a possibility that Renoir intended to employ the little brush strokes and gradually built up without using axe blunt sense. The “no black” proposal of the Impressionist movement was not accomplished in this picture, which had black lines to emphasize the stark contrast shifts. Within the whole of the impressionist show, this particular portrait painting was the only one that received a large number of critical remarks from the reviewers. The picture of the well-dressed woman in the box was made by the painter based on the impression presented by the theater. This was the Impressionist picture that was completed indoors, which is an interesting fact. The painter was able to adequately convey the ambiance of the box within the context of the theater. In spite of the fact that just two persons were shown, the artist made it quite evident that the woman’s picture was accentuated. The makeup lady stands in stark contrast to the male. Through the use of delicate brushwork to reflect the black, a rich and profound level was formed, which resulted in the screen enhancing the visual sense of beauty.
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