The Hanged Man’s House, which was produced between the years 1872 and 1873, presents visitors with a completely unique piece of art. Despite the fact that he continues to utilize colors that are thick, he has relegated them to the category of colors that belong to the intermediate tone. The volume of anything demonstrates the depth of space, validates the reality of the thing itself, and amplifies its intensity. In other words, Paul Cezanne displays the link between volume and space in its entirety, and he plays what he has learnt from Pissarro to the farthest extent possible. Furthermore, he views these things to be a type of everlasting and universal phenomenon, which results in a sense that is both solid and complete in this corporeal world. The consequence of this is that he has been utterly unlike to the artistic influence that Pissarro had. In addition, light in Cezanne’s paintings does not undergo any specific processing; nonetheless, this is due to the fact that he endeavoured to create an image that was both thorough and vast. In addition, Cezanne participated in the first Impressionist exhibition that was held at the natal studio in the year 1874. Despite the fact that this show was mocked, Cezanne would not be able to evade the charges that were made against him. On the other hand, the count had purchased his painting “The Hanged Man’s House,” and Victor Chocquet, a government official, became not only Cezanne’s model but also his admirer and close friend. Cezanne attended school for painting at Ishtar, which is located not far from the port of Marseilles, during the Franco-Prussian War, which took place between the years 1870 and 1871. He then quickly returned to Paris. During the year 1872, he traveled to Afuah of River Oise. It was around that period that he consistently adhered to the guidance of the landscape painter Pissarro. He depicted certain landscapes, but he did not exhibit any of their personalities. There were aspects of Cezanne’s own inner life that were mirrored in the image. He had a comprehensive understanding of the picture of the sensation of weight, which conveyed a sense of majesty and solidity. This is, in point of fact, his artistic quality, which is an indication of the structural art that he has. Such a typical piece of art is the Hanged Man’s House, which was created during the years 1872 and 1873.
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