REWRITING HISTORY: THE PRECISE YEAR THAT THE MONA LISA WAS CREATED HAS BEEN CERTIFIED BY THE LOUVRE MUSEUM

Do you know why Mona Lisa smiles? mostly due to the fact that she was 10 years younger than what we had estimated. In point of fact, the completion of the world’s most renowned works occurred 10 years later than the timeframe that had been previously predicted. It is possible to trace the manufacturing year of the Mona Lisa all the way back to the years fifteen hundred and three. The Le Louvre Museum, on the other hand, has said that it has been established that the date was changed from the year 1503 to the year 1519 at some point. The reproduction of the renowned work “The Virgin and Child with St. Anne” by Leonardo da Vinci that was found in Parrado would be impacted by this change, as stated in the article that was published in The Art Newspaper. The most recent research indicates that the followers of Leonardo da Vinci were responsible for the creation of these three paintings that are currently for sale: the replica of the Mona Lisa, the Virgin and Child with Saint Anne, and the Mona Lisa itself. This was done in the year 1519, which was not long after Da Vinci passed away. The discovery of the whole academic field was destroyed by the fire, which resulted in a new computation of the creation date of all of the works. The oldest known copy of the Mona Lisa was shown to be the piece that was found in Panrado. This copy was completed later than the date that was estimated, according to the findings of further study that was conducted on it. Because of this discovery, the Mona Lisa was discovered in the future (the backgrounds of two copies and the original work could be traced back to 1515 to 1520, but this background was much later than the date of the original two copies. ) A very short time thereafter, the description of the Mona Lisa was likewise modified (it is hard to imagine people in Le Louvre Museum to think of reprinting the label). Following the closure of the art gallery, it was claimed in the Art Newspaper that copies from Parroda were going to be taken to the Louvre Museum and arranged in such a way that a small group of specialists would be able to do a detailed comparison between them.

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